There are photography magazines that specialize in street photography, or landscapes, or fashion. YET is not one of them. This Swiss publication, distributed internationally through Ciao Press, operates on a single principle: no restriction in genre, medium, or theme. What matters is the quality of the project — from concept to shoot to final edit — and the result is a magazine that feels genuinely unpredictable, moving from documentary to fine art to conceptual work within a single issue.
Produced and managed by people working within the photography field, YET showcases both emerging and established international photographers and pairs their portfolios with writing that takes the medium seriously as a cultural practice, not just an aesthetic one. Issue twelve, for example, devoted itself entirely to the world of photography publishing, tracing a publication's journey from first idea to distribution while featuring the voices of artists, curators, designers, collectors, and printers alongside twelve artist portfolios from photographers like Batia Suter, Laia Abril, and Maya Rochat.
With 35,000 Instagram followers and a growing reputation among photography institutions — the International Centre for the Image among them — YET has carved out a space as a trusted source for contemporary photography that does not depend on trends or celebrity. The magazine accepts open submissions, which keeps its contributor base genuinely international and its editorial voice adventurous. For photographers and collectors who want to see what the medium is doing right now, across every genre and tradition, YET delivers exactly that: the image, seen from perspectives the photographer themselves might not have expected.
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